“Remember” canción de las Shangry-Las (sí, otro cover) fue versionada como si fuese una power ballad. Pero lo peor son las baladas de Night in the Ruts. Su cover del tema de los Yardbirds “Think About It” es una performance que simplemente no agrada y “Reefer Head Woman” es un cover blusero de relleno en el que intentan parecerse a Led Zeppelin sin gran éxito. No, una ilusión óptica.Ĭon escuchar sus pobres covers nos damos cuenta que Night in the Ruts igualmente esta por de bajo de las expectativas. Hasta podemos pensar que Aerosmith se da el gusto de rockear de forma más consistente, como si hubiera recuperado algo del fuego sagrado de sus años previos. De hecho es menos agobiante que en Draw the Line. Mucho las ayuda una secuencia del disco bastante ordenada, que permite esconder los puntos flojos. Desde esta perspectiva lo mejor del álbum son esas simples canciones de hardrock como “No Surprize”, “Chiquita” y “Cheese Cake” que resultan entretenidas. Night in the Ruts es un disco que ensambla discretos cortes de hardrock, con covers que poco entusiasman y power ballads como las que arruinarían su carrera en el futuro. Pero si a eso le sumamos sus nuevas absurdas ideas, el nivel del disco termina siendo incluso más bajo. Su hard rock sigue siendo tan genérico y poco impresionante como el de Draw the Line. Jimmy Crespo colaboraría para completarlas y se transformaría en su reemplazo oficial.Ĭomo resultado estamos frente a un disco en el que su mayor déficit es lo poco memorable y lo intrascendente que resultan sus canciones. Por este problema las grabaciones de guitarra no fueron íntegramente hechas por Perry. Posiblemente, mucho tuvo que ver que la banda inició una gira en medio de sus grabaciones y su líder compositivo Joe Perry dejó Aerosmith por fuertes discusiones internas. Lamentablemente Draw the Line inicio una etapa negra en la carrera de Aerosmith y de hecho Night in the Ruts, que fue su paso siguiente, tampoco tremolo. Bone To Bone (Coney Island White Fish Boy): 6,5.If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends). Hidden comments will still appear to the user and to the user's Facebook friends. Reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. You can also send an e-mail to with pertinent details.
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Story or review, you must be logged in to an active personal account on Facebook. There are some rockin' songs on there and it would be fun to play them live." "The rest of them we'd have to sit down and really take them apart, relearn all the guitar parts.
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"I think there are probably two songs on there that we could play pretty much right off the bat," he said. Perry plays on only some of the tracks because he left the band before the album was released. The band's first two albums, its 1973 self-titled debut and 1974's "Get Your Wings" are also candidates for a revival.īut what Perry really wants to do is exhume is the unloved 1979 album "Night In The Ruts", recorded during the band's lengthy, drug-fueled nadir. Once the band settles into a groove, it will probably dust off its 1976 follow-up "Rocks", which features the top-40 tunes "Back In The Saddle" and "Last Child". (The album closer "You See Me Crying" is currently absent from the set list because it is "one of the toughest songs probably in our catalog," guitarist Joe Perry said, and vocalist Steven Tyler needs two more shows to get his throat into shape). For at least the next two weeks, that album is the 1975 smash "Toys In The Attic", which features the hits "Walk This Way" and "Sweet Emotion". Dean Goodman of Reuters reports that the centerpiece of each show on the new AEROSMITH tour is the performance of an early album in its entirety, front to back.